Integrate the Proteus 2000 with your DAW and use it the same way as a.The E-MU Proteus 2000 Editor and Librarian is available in: Midi Quest Pro (399US) Midi Quest (279US) Midi Quest Essentials (159US) Midi Quest one (89US).
Emu Proteus 2000 Sounds Software Allows YouThe software allows you full control of master and patch settings through a series of easy to use displays.
It has been used by Astral Projection, Pet Shop Boys, Genesis, and Information Society. Reproduction in whole or in part in any form or medium without express written permission from Sonic State is prohibited. They can, of course, function as normal auxiliary outputs with mono jacks connected, resulting in a total of six outputs. Sometimes even the latest all-singing, all-dancing box of hi-tech delights fails to excite, like a book with a flashy new cover concealing a story we know weve read before. So it was that when asked to review a new Emu module, I mentally dismissed it as just another Proteus with a few knobs added. However, sometimes you need to step back before cynicism overwhelms you completely, because when the Proteus 2500 arrived chez Nagle, I warmed instantly to its control-rich user interface and serious blue-grey styling. Furthermore, my initial lack of enthusiasm underwent a complete reversal as I began to translate those on-paper specs into real music-making power. The Proteus 2500 represents a significant stride forward, not least in its appearance. As you can see, it is essentially a workstation-based module with an interface designed for both synthesis and sequencing. And the onboard sound engine is well suited to sequencing work, with its impressive 128-note polyphony and 32-part multitimbrality (more on this in a moment). The Proteus 2500 is closer in spec to the recent Emu MP7 and XL7 Command Stations than previous Proteus models, though it shares many characteristics with the Proteus 2000 as well. So, rather than re-examine every knob and button, I suggest a quick study of the Command Station (SOS November 2001) and Proteus (SOS March 1999) reviews in combination with this one. This selects the current track or instrument or, in Preset Edit mode, the layers that make up an individual sound. At the highest level of operation, the ModeView buttons (below) offer Song, Pattern, Preset or Mix options, changing both the mode and what is currently shown in the display. Beneath these, the green LED shows current values for either tempo, pattern number, barbeat or trackchannel (see below). If I have any complaint about the interface, it is a minor one: the blue-on-black text is a little hard to read in low-light conditions. Otherwise, I found it superb and thats the first time Ive thought that about any Proteus module. As already mentioned, it offers a generous 128 notes of polyphony with up to 32 channels of MIDI addressable although not, perhaps, in quite the way you would expect. Emu Proteus 2000 Sounds Plus Two OutputsA look at the rear panel reveals a single MIDI In, plus two outputs: Out A and Out B. Emu Proteus 2000 Sounds Manual Depicts TheCuriously, the large printed manual depicts the ports as standard In, Out and Thru, so it was only when I started to work with the synth that I realised either output (or both) could be configured as a Thru. For example you can set up the onboard programmable knobs so that they transmit data to either MIDI port, perhaps to control remote devices whilst leaving normal operation unaffected. There is a versatile internal routing system for MIDI with 32 addressable channels 01A-16A and 01B-16B. You can route the MIDI output of individual sequencer tracks to any of the 32 internal channels or to either of the external MIDI ports, or even to internal and external simultaneously Thus, only in conjunction with the onboard sequencer can you consider the Proteus 2500 to be truly 32-part multitimbral. Staying with the rear panel, a digital output (selectable between SPDIF and AES pro) is present, plus a USB port for direct connection to a computer. To supplement the two main audio outputs, two pairs of outputs (Sub1 and Sub2) follow the usual approach for Emu modules, whereby each is a stereo jack suitable for using as send and returns for external effect processing, or to add extra signals at a pinch.
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